Recording Some Kind Of Blues, Intro

The songs on Some Kind Of Blues were recorded in a
variety of methods and places.

A few were done in recording studios.  They are either
live band recordings or mostly live with few overdubs.

Most of the songs were recorded in my home studio
on my computer.  I interface to the computer through
an ART Tube preamp and an MAudio Delta 1010LT
soundcard.

My main instruments are Fender Strats, a Guild
mahogany D-25, a Taylor acoustic, a '68 Fender
Telecaster bass, an Alesis QS8.1 synthesizer,
and a Fender Hotrod Deluxe guitar amp.

My recording software is Ableton Live with Ozone 3
as the mastering plugin.
On all the songs, I used Ableton to create a 48KHz mix
which was then mastered to 44.1KHz for CD with Ozone.

Some Kind Of Blues is a labor of love, the result of many
years of work, and an attempt to get as good a recording
as possible of each of the songs with limited resources. 
It has garnered favorable reviews and fans all over the world.

You can listen to the songs, watch videos, and
get a free download at my web site,
http://pwcarrmusic.com/

Some Kind of Blues
Pat Carr
All songs by Patrick W. Carr
Personnel:
Tracks 1, 13 recorded at Colorado Sound:  Pat Carr - guitar, vocals; 
       Terry Gilbert - guitar, backing vocals;  Al Gilbert - bass;  Leo Marshall - drums;  Gary McNear - keyboards;  Mary McCrimmon - backing vocals;  Billy Warren - sax
Track 2 recorded at Blue Metro Productions:  Pat Carr - guitar, vocals;
       Terry Gilbert - guitar, bass;  Leo Marshall - drums
Tracks 3, 5, 6, 7, 9, 10, 11 recorded at Carr Tunes:  Pat Carr - all instruments and vocals
Tracks 4, 8  recorded at Carr Tunes:  Pat Carr - all instruments and vocals;  Audree Rundell - backing vocals
Track 12 recorded at Sundown Sound:  Pat Carr - guitar, vocal;  Terry Gilbert - lead guitar;  Al Gilbert - bass;  Leo Marshall - drums

Going Mobile

My main web site, PWCarr Music, is now optimized for mobile devices.

There is also a free mobile app you can download here:
http://rvrb.fm/VtYJCj

You can get the latest updates, listen to music, check out photos and videos.

There is also a brand new Mobile PWCarr Music site that has links to my songs, videos, social networks, and more.

It is a work in progress.  When I tried some of the links to play a song or video, they did not seem to work on my phone.  Maybe I don't have the right app to make it happen, or maybe I didn't give it time to load.
Anybody want to check it out and pass along some feedback?  It would be much appreciated.

The Mysterious Origins of Nola Blues video

Here is a video I made to demonstrate my post on the Secret, Mysterious Origins of Nola Blues.
You can hear these songs on PWCarr Music.
Enjoy!




View this video on Screencast

The Secret, Mysterious Origins of Nola Blues

If you have ever heard "Nola Blues", you know that it is an acoustic guitar based Delta blues song.  Did you know it actually started out as a song played only on keyboards?

I wrote a whimsical keyboard instrumental called "Traffic Light" that was so-named because it reminded me of the sights and sounds you might experience while stopped at city traffic light.  It was recorded in Ableton Live, and has only five tracks - drums, bass, and three piano tracks - all played on midi instruments using my Alesis QS 8.1 keyboard as the midi controller.

However, I am a die-hard blues lover, so I took the bass and drum tracks from "Traffic Light", added a few bars to the verses, and started playing some guitar blues over them.  I added a lead guitar part and a harmonica solo in the bridge, and "Nola Blues" was born.

Several people have commented that they really like the slide playing in "Nola Blues".  I take that as a compliment, because there is no slide guitar.  There is just one rhythm guitar and one lead guitar that is duplicated and delayed slightly to add a little fullness.

But here is another little secret.  The rhythm guitar, played on my mahogany Guild D-25, is done in a tuning that probably few people in the universe have ever dreamed of.  It is so rare, I don't even know what it is called.  I call it a D5 tuning, and I have used it on several of my songs, including "Put Yourself In My Place" and "What's Gonna Happen".

As for the name "Nola Blues" ...
it could be a girl's name,
it could stand for No. La., as in North Louisiana blues,
or it could be N.O.L.A. for New Orleans, Louisiana, where I first started playing professionally.
You decide.

I'd be willing to bet that if you heard "Traffic Light" and "Nola Blues", you would never know that they are the same song.
Check out the clips of them on the PWCarr Music web site, and see if you can pick out the similarities and differences.

Note that you will have to stop the music player to hear the clip of "Traffic Light", then you can use the player to hear an extended clip of "Nola Blues" and the other two songs I mentioned.

http://www.12path.com/blog/songs/

Get your copy of any or all of Pat Carr's songs at the Music Store.

Stuck With Chuck recording video

Here's a little video I made to go along with my post about recording Stuck With Chuck that gives a visual representation of how I did it.
Enjoy!

Recording Stuck With Chuck on Screencast

Recording Stuck With Chuck

When I was still working as a computer test engineer, I decided to start a music business to market my songs.  It was a logical step, since I had been playing music and writing songs for over 20 years.  After I was unceremoniously booted out the door of the computer industry due to "downsizing," I went full time into learning recording technology, music business legalities, internet promotion, and all the tools I would need to sell music online.

The first song I wanted to record was "Stuck With Chuck."  I had never been able to get a good recording of it when I was playing in a band.  I was preparing for it even when I was still working as a test engineer.  Whenever I found a song stuck in my head, I would start singing "Stuck With Chuck" so it would be stuck in my head instead.

I started by laying down a scratch drum track with a simple beat that I could use to record a basic guitar rhythm track.  Then I put a scratch vocal track on it so I would know where I was in the song while I was recording guitars, bass, drums, and keyboards.  Since it was the first song I had ever recorded at home, I was learning the technology as I went.  It was a long process, and I ended up re-recording and remixing it 41 times before it got to the point where I was pretty much satisfied with the result.  It has 16 tracks of rhythm and lead guitars, bass, drums, percussion, piano, organ, and lead and background vocals.

Along the way I learned how to make samples by recording one hit of a drum or cymbal from my Alesis drum machine, then use the samples to build a drum kit in my recording program.  It's not as easy as you might think, because you have to have just the right number of miliseconds of silence at the beginning of the sample.  But you end up with a natural sounding drum kit that you can play with a midi controller.  If you mess up, you can correct and adjust the beats visually in the midi track on the computer.  Pretty cool.

Some of my fans and listeners have told me that "Stuck With Chuck" is one of their favorite songs.  It's about a girl I was enamored with in my school days, and the lyrics are imbued with my characteristic dry wit...tongue planted firmly in cheek.

You can hear a clip of "Stuck With Chuck" on my web site and maybe grab a copy while you are there.
Check it out at http://pwcarrmusic.com/store.html
Enjoy!

Top 10 Blues Songs

Pat Carr Top 10 Blues, What's Gonna Happen is #1 in Soundclick Blues today out of 52,737 songs.

http://www.12path.com/blog/songs/